Takes out the damage
Creases, scratches, stains, a missing corner, the dust of a scan. The model fills back in what the paper has lost over the years.
Windows · runs on your GPU · beta
Lume repairs the damaged photographs of someone who is no longer here: it takes out the creases and the stains, brings back the detail a poor scan had lost, and gives colour to black and white. All of it happens on your graphics card. No photograph is ever uploaded anywhere.
Version 0.2.0 · 22 MB · Windows 11, NVIDIA graphics card
An illustration, not a real photograph.
Scans, photographs of an old print taken with a phone, frames pulled out of a video. Lume reads the folder and works through it one file at a time.
The models are downloaded once, then they run on your own graphics card. There is no account to create, and the program keeps working with the network switched off.
Every photograph is shown before and after. If the result does not convince you, nothing has been lost: the original is opened read-only and is never written over.
The restored copies go into a folder you choose, as ordinary image files. No library to open, no format that only this program can read.
Creases, scratches, stains, a missing corner, the dust of a scan. The model fills back in what the paper has lost over the years.
Small or blurred photographs are enlarged up to four times, and faces get back the features a low-resolution scan had flattened.
Plausible colour, worked out by the model from the light, the skin and the fabrics. It is an interpretation, and the program says so: the black and white original is always kept.
Hundreds of photographs in one run. You start it and come back later; if you stop it, it picks up from the ones it had not reached.
The program speaks Italian, English, Spanish, French, German, Portuguese, Turkish, Russian, Ukrainian, Arabic, Chinese, Japanese and Korean.
The code is public, under the AGPL. Anyone can read what the program does with the files it is given — which, for photographs like these, is the only promise worth anything.
Lume is being built in stages, and only the first one is in your hands today. This is what is being worked on and what is still a plan, written honestly rather than promised.
Taking out the damage, super-resolution, colour for black and white.
Seeing a portrait as it would have looked twenty years earlier or later, to fill the gaps every family album has.
Male and female voice profiles and, where a recording survives, a voice built from that recording.
A photograph animated in two dimensions, so that the face moves while the voice speaks.
A MetaHuman face in Unreal Engine, built from the restored photographs.
A profile written from what the family remembers — the stories, the turns of phrase, the opinions — so that the conversation sounds like that person. It stays what it is: a way of keeping a memory, not the person.
This is not a feature on a list. It is the reason the project was built this way: photographs, recordings and family memories are not material to hand over to a company.
It is a desktop program, and the work is done by the graphics card: without one there is nothing to run the models on.
Lume is free, with no subscription and no advertising, and it will stay that way. If it gave you back a photograph you thought was lost, a coffee is the whole business model.
Yes. The network is used twice: the first time, to download the models, and — if you leave the check switched on — to find out whether a new version of the program is out. Your photographs are part of neither. You can restore a whole album with the cable pulled out.
Never. Originals are opened read-only, and the restored versions are written as new files in a folder you choose. If a result does not convince you, you delete the copy and nothing has been lost.
No, and the program does not claim it is. Colourisation is the model's guess from the light, the skin, the fabrics and the setting: a plausible colour, not a documented one. That dress may well have been another colour. The black and white is always kept, and it is the one to trust.
Yes. Landscapes, houses, documents, group photographs: taking out the damage and enlarging work on anything. Only the part dedicated to faces is built specifically for portraits.
They are not ready, and this page says so rather than promising a date. They will arrive one at a time, and each one will be optional: restoring photographs will always work on its own, for anyone who wants nothing more than that.
No, and it would be wrong to say otherwise. It is a way of looking after a memory: a photograph you can see clearly again, a familiar voice, a face to talk to about what you remember. It replaces nobody and does not pretend to. If using it hurts more than it helps, stop — that is not a failure on your part.